Skip to main content

Cupid's revenge

 


When:
9th September 2021

Where: Cambridge Junction, Cambridge 

Writer: New Art Club

Director: New Art Club


This production was different to anything else I have seen before, it was not really a play, but more a exploration of Physical theatre. For almost all of the performance they listed words, and acted out each of them. I felt there was very little narrative, and for an hour long performance it got quite repetitive pretty quickly. My favourite moments were probably the parts where they broke from character and addressed some of the things they had done, these moments created comedy and felt the most realistic. I think that's what I liked about them, I'm a big fan of naturalism and not really into stylised or movement based pieces, particularly when the movement has little meaning for being there. Saying all this I did have a good time, but I'm not sure I would see it again. Many of the people I went with really enjoyed it and were excited to talk about it, so maybe I'm not the right judge. It was an interesting portrayal and easily accessible, but I think the story that was presented in the last 5 minutes of the show should have been a much more prominent point in the production in order to create meaning, and human emotion. 

I'm not sure there's much more to say about Cupid's Revenge. If you enjoy physical theatre, dance and spoken word poetry then go for it, but for me it just wasn't my thing.

Comments

Popular posts from this blog

We Live In Time

  When: 18th January 2025 Where: Cinema Writer: Nick Payne Director: John Crowley (Spoilers ahead) We Live In Time relies on its actors and Florence Pugh and Andrew Garfield are perfectly cast. Not only do they interpret the script beautifully, but they bring their own personalities to the characters, making them detailed and nuanced. Nick Payne's script is wonderfully crafted, it shows such clear understanding and a close reading of what it means to be human. By allowing the actors to interpret it in their own ways, and I suspect improvise around it, the characters are given a texture and depth which is often lacking from film characters.  One of the most notable elements of this film is its portrayal of time. Time is what the film is all about, it's in the title, yet what may surprise many people is its non-linear portrayal of time, the film takes place in disjointed time. Disjointed time is not something new to Payne, in his play Constellations the characters similarly ...

Cat On a Hot Tin Roof

  When: 12th December 2024 / 1st January 2025 Where: Almeida Theatre, London Writer: Tennessee Williams Director: Rebecca Frecknall I have now been fortunate enough to see this production twice. Being able to see it both in previews and deeper into its run, it was great to see how things have changed new pieces of direction and development in the actors understanding and performance.  Cat on a Hot Tin Roof is, as you would expect from Tennessee Williams, masterfully written, revolving around the relationships between its characters, and finding drama in the tensions between them and the similarities in their flaws. Daisy Edgar-Jones and Kingsley Ben-Adir are the famous names in this cast, and unlike many productions that cast predominantly screen-famous actors they both feel well cast in their roles. Edgar-Jones captures Maggie's catty nature beautifully, in her Act 1 monologue she possesses just the right energy, understanding how to keep such a long and ranting speech captiv...

ECHO (Every Cold-Hearted Oxygen)

  When: 19th July 2024  Where: The Royal Court Theatre, London Writer: Nassim Soleimanpour Director: Omar Elerian This production was unlike anything I have seen before. It is an experience not just for the audience but for the actors that take to the stage each night.  Soleimanpour's play is performed as a cold-read, unrehearsed with a different actor taking on the role each night, unaware of what is going to be asked of them. On our night Rebecca Lucy Taylor took on the role of the actor. Taylor is relatively new to acting and whilst I think many audience members will choose to see actors such as Fiona Shaw or Adrian Lester who are trained or have years of experience, I personally think Taylor's lack of training made the production even more raw and moving. Without this training Taylor fully allows herself to take the soul of the story onboard reacting genuinely and in real time, not trying in any way to perform. As an audience it felt as if we were going on the journe...