Skip to main content

Hamilton




When:
10th September 2021

Where: Victoria Palace Theatre, London

Writer: Lin Manuel Miranda

Director: Thomas Kail


I had previously had tickets to see Hamilton last summer, but then Covid hit. I watched the filmed production on Disney+ and I didn't fully understand the hype. I felt it was good, but it didn't excite me as much as I wanted it to, so I wasn't rushing to re-book our tickets. Flash forward to last week, and we won the Ticket lottery! We entered every week because it was just something to do, we never fully thought we would actually get tickets. I was very excited, mainly for experience of being front row at a performance, rather than the production itself. However, all I can say is I now understand the hype. My love for Hamilton has been re-born and I want to go and see it over and over again. 

From the moment the lights went down, the atmosphere in the room was exhilarating. The performance started and I got goosebumps, I couldn't stop smiling. I have listened to the Original Broadway cast recording too many times, and know practically all the words to every song. Obviously this was a different cast and I was prepared for that, but this cast were amazing. They didn't try to replicate the original, they took each character and did there own thing with it. Maybe one of the reasons I enjoyed it so much more live, was that it was not the same, it felt fresh and new. The actors were having fun with the characters and even though they were saying the same words their approach to them varied. I'm not going to lie, I know Lin Manuel Miranda wrote it and obviously its incredible, but (Unpopular Opinion) I've never really liked him as Alexander Hamilton. He is a very good actor, but there is something a little off putting about his performance as Hamilton. However, Karl Queensborough played the character with so much power and understanding, his portrayal of the character was so intriguing. I felt his portrayal was just that bit more textured and thoughtful. 

When I listen to the album my favourite songs are always the gentle, normally female songs, mainly because these are the ones I find I can sing best. However, when I was there my favourite songs were the opposite. Songs such as 'Wait for It' and 'The Room Where it Happens'. These songs created so much excitement in the room, I couldn't help but get excited with people. 

I really enjoyed the scenes with the King, they were so funny and simple, I particularly like the moment when he is sat on a chair at the side watching some of the action take place. I also loved Wait for It, the power created during the song was incredible. One of my favourite scenes has always been Satisfied, and it still is, the song is so detailed and pure in its portrayal of emotion, but it is also quite a fun exciting song. Really, the whole thing was absolutely incredible, I never wanted it to end. I will be listening to the album on repeat for a while. In fact I am listening to it as I write this.

I couldn't write this and not talk about the experience of being front row. My neck did ache, but it was so worth it. I felt like I was on stage with them. I could see every facial expression, the amount of energy and power they were putting into their performances. The sweat dripping down they're faces, and the spit coming out of their mouths. I could fully admire the effort that these people were putting in to give the audience a good time. I missed some parts like, their feet and there were moments that happened further back that were a little challenging to see, but it definitely didn't detract from the overall experience. Long after I left the theatre I couldn't stop thinking about what I had seen. I am so thankful that I got to have this experience, and I realise truly how lucky I am. 


Comments

Popular posts from this blog

ECHO (Every Cold-Hearted Oxygen)

  When: 19th July 2024  Where: The Royal Court Theatre, London Writer: Nassim Soleimanpour Director: Omar Elerian This production was unlike anything I have seen before. It is an experience not just for the audience but for the actors that take to the stage each night.  Soleimanpour's play is performed as a cold-read, unrehearsed with a different actor taking on the role each night, unaware of what is going to be asked of them. On our night Rebecca Lucy Taylor took on the role of the actor. Taylor is relatively new to acting and whilst I think many audience members will choose to see actors such as Fiona Shaw or Adrian Lester who are trained or have years of experience, I personally think Taylor's lack of training made the production even more raw and moving. Without this training Taylor fully allows herself to take the soul of the story onboard reacting genuinely and in real time, not trying in any way to perform. As an audience it felt as if we were going on the journe...

J'Ouvert

  When: 3rd July 2021 (Matinee) Where: Harold Pinter Theatre, London Writer: Yasmin Joseph Director: Rebekah Murrell (Spoilers ahead) This play follows the story of three young women taking part in Notting Hill Carnival, two of whom are African Caribbean and one who is of Asian decent. With themes of community and activism, it creates a strong message whilst exploring an entertaining and uplifting story. There are moments that pull at your heart and moments that make you want to dance! Before the play had even started I was surprised and excited by the demographic represented in the audience. It was not the usual white, middle class audience that I was so used to seeing in a west end theatre. The majority of the audience was made of people with a similar ethnic heritage as the characters in the performance. This made the entire atmosphere of the audience and the play really different. Instead of sitting quietly and talking amongst themselves, the excitement of the audience was cle...

We Live In Time

  When: 18th January 2025 Where: Cinema Writer: Nick Payne Director: John Crowley (Spoilers ahead) We Live In Time relies on its actors and Florence Pugh and Andrew Garfield are perfectly cast. Not only do they interpret the script beautifully, but they bring their own personalities to the characters, making them detailed and nuanced. Nick Payne's script is wonderfully crafted, it shows such clear understanding and a close reading of what it means to be human. By allowing the actors to interpret it in their own ways, and I suspect improvise around it, the characters are given a texture and depth which is often lacking from film characters.  One of the most notable elements of this film is its portrayal of time. Time is what the film is all about, it's in the title, yet what may surprise many people is its non-linear portrayal of time, the film takes place in disjointed time. Disjointed time is not something new to Payne, in his play Constellations the characters similarly ...